Kalender

Mittwoch 24.11.10
20:30 Uhr
Black Rebel Motorcycle Club



Abendkasse 24,00 Euro |
Beschreibung
Es gibt nicht viele Bands, die Rock'n'Roll mit einer solchen Konsequenz leben und das ohne Rücksicht auf Verluste, mit einer fast physisch spürbaren Vehemenz, die noch auf allen ihrer mittlerweile sechs Studioalben für Erschütterungen sorgte. Seit mehr als zehn Jahren sind Black Rebel Motorcycle Club auf Achse, rastlos getrieben, stets unter Strom, hochexplosiv. Zuletzt waren sie mit ihrem aktuellen Album "Beat The Devil's Tattoo" in Deutschland im Frühjahr unterwegs. Im November kommt die Band, die mit Drummerin Leah Spahiro mittlerweile auch ein weibliches Mitglied hat, auch nach Stuttgart und Frankfurt um ihr Publikum den Duft von dreckigem Rock'n'Roll atmen zu lassen.
Peter Hayes – Guitar, Bass, Vocals, Harmonica, Keys Robert Levon Been – Bass, Guitar, Vocals, Piano Leah Shapiro – Drums, Percussion Somewhere between the five full-length albums and a decade-long road test across the highways of the world, Black Rebel Motorcycle Club found their way. Eleven years after bassist Robert Levon Been and guitarist Peter Hayes started playing gigs around their hometown of San Francisco, the duo has now started over, with a new vision, a new drummer, and the gift of a future unknown. The sound of Beat The Devil’s Tattoo comes from everywhere and nowhere- it draws a map and embarks on a sonic road trip through American music; from howling front porch stomps on the Chattanooga and beer-sloshing Texas roadhouse rockouts, to swaggering proto-punk sneering in NYC’s basement bars. For six months, Hayes, Been and new drummer Leah Shapiro, holed up in a basement studio together, during one of the coldest winters in recent history. In this house outside Philadelphia —the same place Howl was penned — they built their first album as a new band from the ground up. “It was like a family again, living together and working really closely like that,” Been says. “Something happened to us out there though, I’m not sure if we beat back our demons, or if we just let them take us over completely. But strange days make for strange times.” Shapiro replaced longtime BRMC drummer Nick Jago behind the set, bringing a newfound sense of professionalism, which she honed from playing with the Danish rockers, The Raveonettes. “She knows how to watch when she plays,” Hayes says, “there’s intuition and there’s the ability to watch our body language as we’re really going to dig into something.” With Shapiro on board, the band recorded in Los Angeles at the Station House, tracking all basic tracks in a shocking four days. “We wrote over 23 songs for this record and the hardest thing about it was probably narrowing it down to a final 13 track album,”
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